Podcasts

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Podcasts work great for me when either exercising or making short car trips. My day job finds me commuting between airports and hotels and podcasts are a nice way to pass the time.

Here are a few I’ve been into lately…

Revisionist History – Malcolm Gladwell’s newish podcast. Great content and the production value is stellar.

This American Life – Ira Glass. Quality.

Homecoming – High quality radio drama. Only two episodes so far, but this one seems way promising.

Crimetown – A true crime documentary-style show that will feature criminal activity in a single city per season. Season one is Providence, RI. Only two episodes in, but this one is done really well.

Guitarwank – Definitely R-rated. Scott Henderson is the best teacher I’ve had (although he doesn’t remember me) and an amazing player. Bruce Forman is wise and hilarious and a brilliant player in his own right. And Troy MacCubbin tries to keep them on track (and I’ve never heard him play…).

The Art Of Manliness – I avoided this one for a long time because I didn’t really like the title. But I was wrong. Brett McKay

A few others…Serial, Criminal, Scriptnotes, StoryGrid Podcast, The New Yorker: Fiction, Reply All, Here’s The Thing, RadioLab

 

 

Story Inventory

9781555974770Many (many) moons ago, I read Ron Carlson’s aptly titled, Ron Carlson Writes A Story. Recently I had the good sens to read it again and was reintroduced to the idea of story inventory.

Now I can’t quit thinking about it, whether I’m reading, listening, or writing.

The idea is pretty simple…when in doubt, include things.

You can do much of this without a lot of forethought. Just transcribe the people and their actions that are rattling around in your head. Include things like a character’s name or the car he/she drives or something about his/her appearance or even the room they happen to occupy.

Then have this character do some things, simply, “small acts that reveal character.”

When you come up for air, see what’s there. What you will likely find are the seeds of credibility and some helpful narrative evidence to propel the story forward.

This oversimplification may not be all that helpful. So my main advice here is to go get a printed copy of the book. My copy has been highlighted in yellow, scribbled in pencil, and notated in blue ink. Thankfully I have a whole drawer full of colorful pens for future re-re-readings. The book really is that good.

In case you missed the link the first time: Ron Carlson Writes A Story.

(Disclaimer: I don’t know Mr. Carlson, but have often wished I could have sat in for a few of his classes. And if he wants to pay me for this plug, I’ll take it!)